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cruelcore1
Advanced Member
Croatia (Hrvatska)
1,485 posts Joined: May, 2010
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Posted - 2011/12/11 : 21:12:49
I just want to know more.
1. Is it that those minimal drops are so popular in the HC scene? I mean, is it that most of the scene loves them so much? I just want to know why people complain so energetically. High popularity might be the cause.
2. How is eurodance (including handsup) scene doing? Is it expanding, is it static, or is it dying? The future of Hardcore might depend on it as I know what the scene members like (especially those anime lovers who call it trance).
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Edited by - cruelcore1 on 2011/12/11 21:13:45 |
SpiritWolf
Average Member
United States
237 posts Joined: Apr, 2010
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Posted - 2011/12/11 : 21:18:16
quote: Originally posted by cruelcore1:
1. Is it that those minimal drops are so popular in the HC scene? I mean, is it that most of the scene loves them so much?
I'm not a fan of minimal drops at all but they do sound amazing at events.
I remember how pumped I was when I heard one for the first time.
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Warnman
Advanced Member
Germany
2,677 posts Joined: Jun, 2010
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Posted - 2011/12/12 : 20:03:33
quote: Originally posted by cruelcore1:
2. How is eurodance (including handsup) scene doing? Is it expanding, is it static, or is it dying? The future of Hardcore might depend on it as I know what the scene members like (especially those anime lovers who call it trance).
Eurodance died out very slowly over here since 1997. Most of it drifted off to Japan (f. e. E-Rotic) or left it to... well you can't say crappy summer party dance tracks, but they simply were unable to come even close to the "good old times" quality.
An interesting fact to notice is that more and more of the new R&B stuff is using electronic music elements ("Dancehall"). It's certainly is unable to replace Eurodance tmo, but at least it is a start to recombine elements of highly emotional Black music with electronic music. And when I think back to the times before 1992 I must say that Hip House (early Eurodance) didn't sound outstanding to me as well (compared to the Eurodance, that was released afterwards).
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"Happy Hardcore: Love it... hate it... it's fun!" (Matt Stokes)
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