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95_was_the_time
Advanced Member
United Kingdom
1,285 posts
Joined: Oct, 2005
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 Posted - 2009/09/24 : 15:49:24
Hi im starting a record lable. it will be vinyl only. before i can work out the costs (cause it will be about half a grand!!!! to get the units out if pressed proffesionally) i need a recall of people who are willing to do this!
not sure on the name or art work but the focus of the lable is the sound. it has to sound autheticly 94-99. absoloutly NO modern sounding things. I don't care what you make the tunes on just please give me demo's!!! thanks!
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**** off EDM
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Starstruck
Advanced Member
Australia
1,152 posts
Joined: Jul, 2008
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Posted - 2009/09/24 : 16:02:43
Not to sound like an ass or anything, but you realise that you wouldn't be making any revenues if you decided to press up Oldschool stuff? It doesn't market anymore and just wouldnt go near breaking even.
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Starstruck - Australia With Force Records
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CiALiN
Advanced Member
Ireland
535 posts
Joined: Apr, 2009
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Posted - 2009/09/24 : 16:33:01
quote:
Originally posted by Starstruck:
Not to sound like an ass or anything, but you realise that you wouldn't be making any revenues if you decided to press up Oldschool stuff? It doesn't market anymore and just wouldnt go near breaking even.
agreed..seems kind of pointless..especially on vinyl
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http://www.soundcloud.com/simpleton
http://www.myspace.com/sirsimpleton
http://www.youtube.com/cialino00o00o
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Project-Industrial
Advanced Member
Netherlands
2,481 posts
Joined: Nov, 2005
33 hardcore releases
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Posted - 2009/09/24 : 17:23:45
well i'd say first get a proper plan together before shooting ur bullets :) i got some oldschool tracks laying around somewhere i would wanna release hehe.. and i got whichcraft (http://www.discogs.com/artist/Witchcraft+%283%29) on my msn... he would love to get more releases (he's really into oldschool :) )
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Alias:
- Project Industrial
- Disease
http://www.project-industrial.com
http://www.discogs.com/label/Furious+Monkey+Records
http://www.furiousmonkeyrecords.com/
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tru bass
Advanced Member
United Kingdom
1,996 posts
Joined: Jul, 2006
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Posted - 2009/09/25 : 16:17:49
good luck
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http://soundcloud.com/shrubman
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disco_hippo
Starting Member
United States
7 posts
Joined: Jun, 2002
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Posted - 2009/10/07 : 04:07:19
starstruck sftu!!!!!!!!!
its people like you that effed the happycore scene. "its not marketable" and "its not cool" are phrases that killed happy hardcore.
I say, who gives a flying hoot. I love the goofy, faggy, and stupid jams that are considered old skool. Those songs actually put I smile on my face, not like the new ish.
I'd be down to produce some bumpin choons for you.
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Starstruck
Advanced Member
Australia
1,152 posts
Joined: Jul, 2008
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Posted - 2009/10/07 : 07:45:10
^^^^ You sir, are full of shit and don't know what you're talking about. :)
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Starstruck - Australia With Force Records
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Mortis
Advanced Member
United Kingdom
7,493 posts
Joined: May, 2004
341 hardcore releases
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Posted - 2009/10/07 : 09:23:20
quote:
Originally posted by 95_was_the_time:
Hi im starting a record lable. it will be vinyl only. before i can work out the costs (cause it will be about half a grand!!!! to get the units out if pressed proffesionally) i need a recall of people who are willing to do this!
not sure on the name or art work but the focus of the lable is the sound. it has to sound autheticly 94-99. absoloutly NO modern sounding things. I don't care what you make the tunes on just please give me demo's!!! thanks!
All of those basic spelling mistakes just smack of professionalism don't they.
How could you trust a label owner who can't even spell label correctly 
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"Maybe in a day and age in which even our rappers can't get to the end of a verse without having an existential crisis, we should find a place for happy hardcore"
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CiALiN
Advanced Member
Ireland
535 posts
Joined: Apr, 2009
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Posted - 2009/10/07 : 13:19:20
quote:
Originally posted by Mortis:
quote:
Originally posted by 95_was_the_time:
Hi im starting a record lable. it will be vinyl only. before i can work out the costs (cause it will be about half a grand!!!! to get the units out if pressed proffesionally) i need a recall of people who are willing to do this!
not sure on the name or art work but the focus of the lable is the sound. it has to sound autheticly 94-99. absoloutly NO modern sounding things. I don't care what you make the tunes on just please give me demo's!!! thanks!
All of those basic spelling mistakes just smack of professionalism don't they.
How could you trust a label owner who can't even spell label correctly
lmao that made me giggle...
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http://www.soundcloud.com/simpleton
http://www.myspace.com/sirsimpleton
http://www.youtube.com/cialino00o00o
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acidfluxxbass
Advanced Member
United Kingdom
5,000 posts
Joined: Apr, 2008
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Posted - 2009/10/07 : 13:23:29
quote:
Originally posted by disco_hippo:
starstruck sftu!!!!!!!!!
its people like you that effed the happycore scene. "its not marketable" and "its not cool" are phrases that killed happy hardcore.
I say, who gives a flying hoot. I love the goofy, faggy, and stupid jams that are considered old skool. Those songs actually put I smile on my face, not like the new ish.
I'd be down to produce some bumpin choons for you.
i think a man with his own VERY successful label would know what he's on about ;)
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Aka Archefluxx
Soundcloud: http://soundcloud.com/archefluxx
Youtube: http://www.youtube.com/user/afbofficial
Facebook: http://www.facebook.com/archefluxxuk
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Triquatra
Moderator
United Kingdom
12,635 posts
Joined: Nov, 2003
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Posted - 2009/10/07 : 13:39:29
95 is "gone" ...its pretty pointless to carry anything on in this thread
95 is gone and the whole scene will now crumble, the one, true messiah of hardcore has abandoned it
we are all, truely, truely doomed.
on a side note, i have no interest in making new hardcore at the mo any hardcore i make will be Bonkers 7esc or Kniteforce Styled - no, im not expecting to sell anything. but i do think that there is a large group of people who want it back and no record labels are willing to go down that route, i think all they really tend to see is $$$£££ as opposed to doing somthing because of a "minority" - which could agueably only be a minority because newer record labels arent pushing it.....
95 does have a point in some respects - just lacked the way to go about it ;)
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Triquatra/Bee Trax/Cuttlefish
http://www.hardcoreunderground.co.uk/ - http://CLSM.net -
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Edited by - Triquatra on 2009/10/07 19:33:14 |
Mortis
Advanced Member
United Kingdom
7,493 posts
Joined: May, 2004
341 hardcore releases
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Posted - 2009/10/07 : 13:52:33
quote:
Originally posted by DjTriquatra:
on a side note, i had no interest in making new hardcore, any hardcore i make will be Bonkers 7esc or Kniteforce Styled - no, im not expecting to sell anything. but i do think that there is a large group of people who want it back and no record labels are willing to go down that route, i think all they really tend to see is $$$£££ as opposed to doing somthing because of a "minority" - which could agueably only be a minority because newer record labels arent pushing it.....
95 does have a point in some respects - just lacked the way to go about it ;)
My thoughts exactly, hence why I'm making my own tracks now. Their is deffiantly a market for new older sounding hardcore it just needs a few people to get behind it and push it a bit more.
Get your mix's & tunes made and get behind a new style (if that's what you want). That's how rave started in the first place, with no money but loads of passion, now sadly it's the other way around.
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"Maybe in a day and age in which even our rappers can't get to the end of a verse without having an existential crisis, we should find a place for happy hardcore"
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Project-Industrial
Advanced Member
Netherlands
2,481 posts
Joined: Nov, 2005
33 hardcore releases
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Posted - 2009/10/07 : 14:59:53
quote:
Originally posted by DjTriquatra:
95 is "gone" ...its pretty pointless to carry anything on in this thread
95 is gone and the whole scene will now crumble, the one, true messiah of hardcore has abandoned it
we are all, truely, truely doomed.
on a side note, i had no interest in making new hardcore, any hardcore i make will be Bonkers 7esc or Kniteforce Styled - no, im not expecting to sell anything. but i do think that there is a large group of people who want it back and no record labels are willing to go down that route, i think all they really tend to see is $$$£££ as opposed to doing somthing because of a "minority" - which could agueably only be a minority because newer record labels arent pushing it.....
95 does have a point in some respects - just lacked the way to go about it ;)
any label now will just accept mainstream stuff :) cuz itll bring money in their pockets.. be special and itll pay u shit :) but least u get the respect from ppl that rather listen to something else then the majority of the mainstream c*nts :) follow that thought triggy =p
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Alias:
- Project Industrial
- Disease
http://www.project-industrial.com
http://www.discogs.com/label/Furious+Monkey+Records
http://www.furiousmonkeyrecords.com/
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Fishy
Advanced Member
Norway
2,521 posts
Joined: Apr, 2004
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Posted - 2009/10/07 : 16:10:43
Ye I do produce som old skool stuff, but i wouldent get it signed to ur label seeing how u behave on this site.. Insulting people all the time and generally acting like a ignorant idiot isent good PR
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https://open.spotify.com/artist/5p4DMSX1fKl07ogZewmRp0?si=X0-Z2b4oQLGex3gvtdazbw
[email protected]
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Edited by - Fishy on 2009/10/07 16:12:07 |
Triquatra
Moderator
United Kingdom
12,635 posts
Joined: Nov, 2003
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Posted - 2009/10/07 : 19:39:59
hey Stu, did you ever have a crack at cubase?
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Triquatra/Bee Trax/Cuttlefish
http://www.hardcoreunderground.co.uk/ - http://CLSM.net -
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Mortis
Advanced Member
United Kingdom
7,493 posts
Joined: May, 2004
341 hardcore releases
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Posted - 2009/10/07 : 19:57:41
I didn't. I moved over to Studio One instead. It's an amazing DAW, my stuff has gotten so much better since moving to that. Things I was making on FL sounded terrible compared to what I can do with Studio One so it was an obvious choice. It does bug me a bit that I can't do a collab with anyone (don't I know anyone who has Studio One) but I think it's worth it. I recon I could easily move from Studio One to Cubase after a few months because from what I've seen they have a very similar in work flow.
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"Maybe in a day and age in which even our rappers can't get to the end of a verse without having an existential crisis, we should find a place for happy hardcore"
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